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Concerto in re minore per fagotto, archi e cZalo : per fagotto, archi e cembalo RV 481 (F.VIII. No. 5, P.V. 282)

Concerto in re minore per fagotto, archi e cZalo : per fagotto, archi e cembalo RV 481 (F.VIII. No. 5, P.V. 282)

The source of the present edition of the Bassoon Concerto in D minor by Antonio Vivaldi (1678-1741) is the Collected Works of Vivaldi edited by Malipiero, published in 1949 by Ricordi. The title of the original score is "Concerto in Re minore per fagotto, archi e cembalo": the original setting: Fagotto, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. The arrangement for bassoon and piano is kept in accurate conformity with the musical text of the score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style).

SEK 168.00
1

Concerto in la minore per oboe, archi e cZalo RV : per oboe, archi e cembalo RV 461 (F.VII. No. 5, P.V. 42)

Concerto in la minore per oboe, archi e cZalo RV : per oboe, archi e cembalo RV 461 (F.VII. No. 5, P.V. 42)

The source of the present edition of the Oboe Concerto in A minor by Antonio Vivaldi is the Collected Works of Vivaldi, edited by Malipiero, published by Ricordi 1955. The title of the original score is "Concerto in La minore per oboe, archi e cembalo": the original setting: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for oboe and piano is kept in accurate conformity with the musical text of score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style). The piano part contains the entire orchestral material in the Tutti-s, thus the soloist is not obliged to play all the Tutti parts.However, in Movement I and III the first and last Tutti may never be omitted by the performer.

SEK 178.00
1

3 Trattenimenti per

3 Trattenimenti per

Angelo Maria Fiore (c. 1660-1723), composer and virtuoso cellist, was the founder of the Piedmont school. In 1697 he was invited to the Accademia Filarmonica di Bologna as a rare cello player. During his lifetime his work entitled Trattenimenti di camera a due stromenti, violino e cimbalo o violino e violoncello was published by Bartolomeo Gregori in 1698, barely three years after the first cello sonatas to appear in print, the works of Giuseppe Jacchini. Three of the 14 Trattenimenti were written for cello and basso continuo, they form the contents of this volume. This edition is faithful to the text of the source, the archaic style of writing has been modernized, to make thescore, intended for practical (mainly pedagogical) purposes, easier to read.

SEK 307.00
1