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Perception and the Inhuman Gaze Perspectives from Philosophy Phenomenology and the Sciences

Perception and the Inhuman Gaze Perspectives from Philosophy Phenomenology and the Sciences

The diverse essays in this volume speak to the relevance of phenomenological and psychological questioning regarding perceptions of the human. This designation human can be used beyond the mere identification of a species to underwrite exclusion denigration dehumanization and demonization and to set up a pervasive opposition in Othering all deemed inhuman nonhuman or posthuman. As alerted to by Merleau-Ponty one crucial key for a deeper understanding of these issues is consideration of the nature and scope of perception. Perception defines the world of the perceiver and perceptual capacities are constituted in engagement with the world – there is co-determination. Moreover the distinct phenomenology of perception in the spectatorial mode in contrast to the reciprocal mode deepens the intersubjective and ethical dimensions of such investigations. Questions motivating the essays include: Can objectification and an inhuman gaze serve positive ends? If so under what constraints and conditions? How is an inhuman gaze achieved and at what cost? How might the emerging insights of the role of perception into our interdependencies and essential sociality from various domains challenge not only theoretical frameworks but also the practices and institutions of science medicine psychiatry and justice? What can we learn from atypical social cognition psychopathology and animal cognition? Could distortions within the gazer’s emotional responsiveness and habituated aspects of social interaction play a role in the emergence of an inhuman gaze? Perception and the Inhuman Gaze will interest scholars and advanced students working in phenomenology philosophy of mind psychology psychiatry sociology and social cognition. | Perception and the Inhuman Gaze Perspectives from Philosophy Phenomenology and the Sciences

GBP 38.99
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Marguerite de Navarre's Shifting Gaze Perspectives on gender class and politics in the Heptaméron

Marguerite de Navarre's Shifting Gaze Perspectives on gender class and politics in the Heptaméron

Marguerite de Navarre’s Heptaméron composed in the 1540s and first published posthumously in 1558 and 1559 has long been an interpretive puzzle. De Navarre (1492-1549) sister of King Francis I of France was a controversial figure in her lifetime. Her evangelical activities and proximity to the Crown placed her at the epicenter of her country’s internecine strife and societal unrest. Yet her short stories appear to offer few traces of the sociopolitical turbulence that surrounded her. In Marguerite de Navarre’s Shifting Gaze however Elizabeth Zegura argues that the Heptaméron’s innocuous appearance camouflages its serious insights into patriarchy and gender social class and early modern French politics which emerge from an analysis of the text’s shifting perspectives. Zegura’s approach which focuses on visual cues and alternative standpoints and viewing positions within the text hinges upon foregrounding les choses basses (lowly things) to which the devisante (storyteller) Oisille draws our attention in nouvelle (novella) 2 of the Heptaméron using this downward archaeological gaze to excavate layers of the text that merit more extensive critical attention. While her conclusions cast a new light on the literature life and times of Marguerite de Navarre they are nevertheless closely aligned with recent scholarship on this important historical and literary figure. | Marguerite de Navarre's Shifting Gaze Perspectives on gender class and politics in the Heptaméron

GBP 39.99
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Psychoanalytic Perspectives on Gaze Body Image Shame Judgment and Maternal Function Being and Belonging

Psychoanalytic Perspectives on Gaze Body Image Shame Judgment and Maternal Function Being and Belonging

Have you ever been praised or criticized about your body or any part of it? With this question participants of a research study were invited to share their experiences of body judgment. As participants described the body is a carrier of messages and the source of judgmental experiences. Psychoanalytic Perspectives on Gaze Body Image Shame Judgment and Maternal Function: Being and Belonging offers an insightful and engaging psychoanalytical account of experiences of shame and fear of rejection explained through clinical vignettes and research participants’ scripts. Exploring the findings from the individual and social standpoints as well as the cultural and historical influences Dr. Roth proposes that judgements are experienced as attacks with the meaning attributed to the criticized body part affecting the sense of self and forming a central point of the participants’ identity trauma. Furthermore that as guilt requires reparative action shame requires an act of sacrifice to align the individual to the ideal and to preserve the matrix of belonging thus explaining the participants’ use of alienation as a defense. This book will be of great interest to psychoanalysts and psychotherapists as well as scholars of culture and religion. Giving a brief introduction to psychoanalytic concepts with a full glossary it will also appeal to the non-psychoanalytic reader interested in body image and how related perceptions and judgements can affect our own sense of Being and Belonging. | Psychoanalytic Perspectives on Gaze Body Image Shame Judgment and Maternal Function Being and Belonging

GBP 32.99
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Francesca Woodman's Dark Gaze The Diazotypes and Other Late Works

Francesca Woodman's Dark Gaze The Diazotypes and Other Late Works

Focusing on the later work of the American photographer Francesca Woodman (1958-1981) Claire Raymond takes up the question of the disintegrative condition of the art she produced in the last year of her life. Departing from the techniques of her earlier compositions Woodman worked in the diazotype process for many of these late pieces most importantly the monumental Blueprint for a Temple. Raymond shows that through her use of diazotype a medium that breaks down when exposed to light Woodman created art that is both supremely evocative aesthetically and inherently unstable physically. Woodman Raymond contends was imaginatively responding to the end of the durable image a historical reality acknowledged in the way her work plays the ephemeral and evanescent against the monumental and enduring. Raymond focuses on the theoretical and the curatorial issues surrounding Woodman's diazotypes a thematic and practical distress that haunts much of her later art especially the artist's book and photo series Some Disordered Interior Geometries and Portrait of a Reputation. Rather than conceiving of Woodman herself as fragile an artist chronicling and seeming to yearn for her own disappearance Raymond juxtaposes Woodman's career-spanning documentation of her own image against other post-war witnesses of trauma - an artist standing in the museum ruins where she emerges most distinctly as a figure of postmodernity. | Francesca Woodman's Dark Gaze The Diazotypes and Other Late Works

GBP 39.99
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Borders Media Crossings and the Politics of Translation The Gaze from Southern Africa

Frames Ray-Ban Round Gaze RX3947V 2500

GBP 100.90
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KIKO Disney - The Little Mermaid Eyeliner & Kajal 06 Mermaid's gaze

KIKO Disney - The Little Mermaid Eyeliner & Kajal 06 Mermaid's gaze

[Eye Enhancing Stick Eyeshadow & Eyeliner Duo] [Flawless Depth and Shape Enhancement] Elevate your eye makeup game with our stick format eyeshadow and eyeliner, designed to effortlessly add depth and enhance the shape of your eyes with flawless shades. [Long-lasting, Matte Finish] Crafted with a creamy texture and matte finish, this eyeshadow and eyeliner duo ensures up to 10 hours* of wear, keeping your eye makeup intact all day long. [Enriched with Coconut Oil] Formulated with nourishing coconut oil, our eyeshadow and eyeliner not only deliver intense color payoff but also provide gentle care to your delicate eye area. [Precise Application, Intense Color] Experience the ease of application with an extremely precise line, allowing you to create captivating looks effortlessly. The intense color payoff ensures vibrant and trendy shades that last throughout the day. [Ophthalmologically Tested] Safety is paramount. Rest assured, our product is ophthalmologically tested, making it suitable for sensitive eyes and contact lens wearers. [Underwater World Inspired Packaging] Transport yourself to the depths of the sea with our elegant packaging, inspired by the shapes and colors of the underwater world from the new KIKO MILANO Disney - THE LITTLE MERMAID summer collection. [Note on Ingredients] While we strive to maintain accuracy, ingredient lists are subject to change. For the most up-to-date information, please refer to the product packaging. [Ingredients]:DIMETHICONE, TRIMETHYLSILOXYSILICATE, POLYISOBUTENE, ACRYLATES/STEARYL ACRYLATE/DIMETHICONE METHACRYLATE COPOLYMER, POLYETHYLENE, OZOKERITE, COCOS NUCIFERA OIL (COCONUT OIL), SYNTHETIC FLUORPHLOGOPITE, ISOBUTYL STEARATE, PENTAERYTHRITYL TETRA-DI-t-BUTYL HYDROXYHYDROCINNAMATE, CI 77007 (ULTRAMARINES), CI 77499 (IRON OXIDES). [Packaging Details]:PENNA: ALTRO 7; PLASTICATAPPO: ALTRO 7; PLASTICAASTUCCIO: PAP 21; CARTA [For Disposal Instructions]:Please check the guidelines provided by your local municipality.

GBP 5.50
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Lavera Intense Volumising Mascara Black 13ml, Lavera, Natural And Organic, No Parabens

GBP 16.40
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