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Byzantine Coins Influenced by the Shroud of Christ

T. F. Torrance’s Christological Anthropology Discerning Humanity in Christ

The Buddha The Prophet and the Christ

A Poetics of Jesus The Search for Christ Through Writing in the Nineteenth Century

The Cristos yacentes of Gregorio Fernández Polychrome Sculptures of the Supine Christ in Seventeenth-Century Spain

The Shroud of Turin First Century after Christ

Investigating the Resurrection of Jesus Christ A New Transdisciplinary Approach

The Shroud of Christ Evidence of a 2 000 Year Antiquity

Irenaeus of Lyons and the Mosaic of Christ Preaching Scripture in the Era of Martyrdom

Irenaeus of Lyons and the Mosaic of Christ Preaching Scripture in the Era of Martyrdom

Recent theological scholarship has shown increasing interest in patristic exegesis. The way early Christians read scripture has attracted not only historians but also systematic and exegetical scholars. However the Christian reading of scripture before Origen has been neglected or more often dominated by Gnostic perspectives. This study uses the writings of Irenaeus to argue that there was a rich Christian engagement with scripture long before Origen and the supposed conflict between Antioch and Alexandria. This is a focused examination of specific exegetical themes that undergird Irenaeus’ argument against his opponents. However whereas many works interpret Irenaeus only as he relates to certain Gnostic teachings this book recognizes the broader context of the second century and explores the profound questions facing early Christians in an era of martyrdom. It shows that Irenaeus is interested not simply in expounding the original intent of individual texts but in demonstrating how individual texts fit into the one catholic narrative of salvation. This in turn he hopes will cause his audience to see their place as individuals in the same narrative. Using insightful close reading of Irenaeus allied with a firm grounding in the context in which he wrote this book will be vital reading for scholars of the early Church as well as those with interests in patristics and the development of Christian exegesis. | Irenaeus of Lyons and the Mosaic of Christ Preaching Scripture in the Era of Martyrdom

GBP 39.99
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Experiencing Time in the Early Modern Hispanic World After Apocalypse

The Finality of the Higher Criticism Or The Theory of Evolultion and False Theology

Clothed in the Body Asceticism the Body and the Spiritual in the Late Antique Era

Tree of Jesse Iconography in Northern Europe in the Fifteenth and Sixteenth Centuries

Revival: The Gospel of the Redman (1937) An Indian Bible

A Kryptic Model of the Incarnation

Painting the Bible Representation and Belief in Mid-Victorian Britain

Federico Barocci Inspiration and Innovation in Early Modern Italy

Spiritual Dimensions in the Music of Edmund Rubbra

Binding the Absent Body in Medieval and Modern Art Abject virtual and alternate bodies

Slavoj Žižek and Christianity

Memento Mori in Contemporary Art Theologies of Lament and Hope

Memento Mori in Contemporary Art Theologies of Lament and Hope

This book explores how four contemporary artists—Francis Bacon Joseph Beuys Robert Gober and Damien Hirst—pursue the question of death through their fraught appropriations of Christian imagery. Each artist is shown to not only pose provocative theological questions but also to question the abilities of theological speech to adequately address current attitudes to death. When set within a broader theological context around the thought of death Bacon’s works invite fresh readings of the New Testament’s narration of the betrayal of Christ and Beuys’ works can be appreciated for the ways they evoke Resurrection to envision possible futures for Germany in the aftermath of war. Gober’s immaculate sculptures and installations serve to create alternative religious environments and these places are both evocative of his Roman Catholic upbringing and virtually haunted by the ghosts of his excommunication from that past. Lastly and perhaps most problematically Hirst has built his brand as an artist from making jokes about death. By opening fresh arenas of dialogue and meaning-making in our society and culture today the rich humanity of these artworks promises both renewed depths of meaning regarding our exit from this world as well as how we might live well within it for the time that we have. As such it will be a vital resource for all scholars in Theology the Visual Arts Material Religion and Religious Studies. | Memento Mori in Contemporary Art Theologies of Lament and Hope

GBP 38.99
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