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YSL LEXICON - Stephan Janson - Bog - Rizzoli International Publications - Plusbog.dk

Yves Saint Laurent: Icons of Fashion Design & Photography - Marguerite Duras - Bog - Abrams - Plusbog.dk

Yves Saint Laurent: Icons of Fashion Design & Photography - Marguerite Duras - Bog - Abrams - Plusbog.dk

An incredible collection of Yves Saint Laurent’s designs, beautifully captured by the leading fashion photographers of the 20th century, Yves Saint Laurent: Icons of Fashion Design & Photography is a gorgeous homage to the uncrowned king of haute couture. “A compelling assemblage of YSL couture and ready-to-wear pieces worn by fashion icons from the ’60s through ’80s (Audrey Hepburn, Veruschka) ties a bow on a career that still astonishes.” ― Avenue Magazine Yves Saint Laurent was equipped with an infallible instinct for reading the aesthetic signs of the times, and this enabled him to have a profound effect on fashion. This indispensable book traces the success of his haute couture and ready-to-wear designs from 1962 to 1988 through the lens of the world’s leading fashion photographers, including Richard Avedon, Helmut Newton, William Klein, and more. Inside, 135 photographs document Saint Laurent’s groundbreaking designs worn by the most beautiful women of the ’60s, ’70s, and ’80s: Audrey Hepburn, Twiggy, Jean Shrimpton, Mounia, and Veruschka. Saint Laurent was one of France’s most prominent fashion designers. From his work at Dior to the time of his founding his eponymous YSL fashion label in 1962 to his death in 2008, his work was a force in an industry full of big names and successful houses. In 1985, fashion historian Caroline Milbank wrote, “The most consistently celebrated and influential designer of the past twenty-five years, Yves Saint Laurent can be credited with both spurring the couture’s rise from its 1960s ashes and with finally rendering ready-to-wear reputable.” He developed his style to accommodate the changes in fashion during that period. He approached his aesthetic from a different perspective by helping women find confidence by looking both comfortable and elegant at the same time. With an introduction by writer and filmmaker Marguerite Duras, this classic volume documents Saint Laurent’s ever-evolving artistry and the combined efforts of the world’s most talented fashion photographers—and is as beautiful and rewarding as one of Saint Laurent’s creations.

DKK 236.00
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Yves Saint Laurent: Gold - Yvane Jacob - Bog - Abrams - Plusbog.dk

Yves Saint Laurent: Gold - Yvane Jacob - Bog - Abrams - Plusbog.dk

A bold and fashionable look at the iconic golds of Yves Saint Laurent—in jewelry, couture, and accessories—from the 1960s to the 2000s Gold sparkles as it conjures up the true treasures of Saint Laurent’s legacy and spirit. This stunning book presents the couture, jewelry, and accessories inspired by the golds of Yves Saint Laurent from the 1960s to the 2000s. Gold has been featured heavily throughout the entirety of the designer’s work: from the very first buttons adorning his pea coats to dresses that appear entirely fashioned from gold, no collection escaped the couturier’s “golden” touch. “I love gold," Saint Laurent said. "It’s a magical color; when reflecting a woman, it’s the color of the sun.” As the official catalogue of the Gold, les ors d’Yves Saint Laurent exhibition in Paris, this keepsake volume presents Saint Laurent’s exquisite designs as we follow the thread of gold throughout his collections, offering special insight into the work and intricate techniques used to make the brocades, laces, lamés, leathers, and embroideries of YSL shine. Curated by Elsa Janssen, the director of the legendary Musée Yves Saint Laurent Paris, and fashion historian Yvane Jacob, Yves Saint Laurent: Gold draws on a large number of archival documents, interviews, and other resources such as films and shows, presenting how the cultural, artistic, and social contexts of the time, especially the women’s rights movement, resulted in these timeless designs. From the jeweled dress designed for his Autumn/Winter 1966 collection and photographed by David Bailey, to the sequined dresses worn by Zizi Jeanmaire and Catherine Deneuve, Gold sparkles as it conjures up the true treasures of Saint Laurent’s legacy and spirit.

DKK 279.00
1

Mocafico Numero Volume 7 - - Bog - Patrick Remy Studio - Plusbog.dk

Mocafico Numero Volume 7 - - Bog - Patrick Remy Studio - Plusbog.dk

In 1999, Babeth Djian — fashion editor and avant-gardestylist — founded Numéro, a Parisian magazine now famous for itsunique and bold aesthetic combining fashion and contemporaryart. From the first issue, then very regularly, Babeth gives GuidoMocafico carte blanche for the closing pages of the magazine. Free and suffering no diktat, the photographer takes the opportunityto create immutable and provocative still lifes the major genresin photography such as architecture, landscape, or nude. This platform, a place of innovation and experimentation, allows him togive free rein to his imagination, to offer an offbeat, critical lookat our contemporary world made of vanity. In 2016, the box set Mocafico / Numéro gathered all theseries from 1999 to 2016 in 6 volumes. Here is volume 7. Italian still life photographer Guido Mocafico was bornin Switzerland; he currently divides his time between his homein Switzerland and his studio in Paris. Guido Mocafico has become recognized as a contemporarymaster of still life. His interest in this most classic of art formsstarted early whilst studying photography at Vevey School inSwitzerland. He initially focused on commercial and advertisingprojects for brands such as Chanel, Clinique, Dior, Gucci, Armaniand YSL. His images have been published in numerous magazinesover the years including Vogue US, Vogue France, Harpers Bazaar,The Face, and Wallpaper and Numéro. About more than twenty years ago he began to developpersonal projects, separate from his commercial accomplishments;these resulted from his personal passions. He explored hischosen themes deeply, first with research, to gain an in-depthunderstanding of his subjects. Subject topics are varied and copious: in architecture, with hisseries Brasilia/Beirut; Medusa, jellyfish; Serpens, snakes; Aranea,spiders; Guns and Roses; Movement, fine watches; Nature Morte,banquets and floral arrangements, an interpretation of Dutch StillLife, and most recently Blaschka — glass models, by the father andson duo Leopold and Rudolf Blaschka. His work has been exhibitedinternationally since 1999, including venues in London, Paris,Munich and Tokyo. Various books have been published comprisinghis personal projects: Venenum (2005), Medusa (2006); Serpens(2007); Movement (2008) and Stilleven (2012), published by Steidl.

DKK 343.00
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Yves Saint Laurent: The Scandal Collection, 1971 - Olivier Saillard - Bog - Abrams - Plusbog.dk

Yves Saint Laurent: The Scandal Collection, 1971 - Olivier Saillard - Bog - Abrams - Plusbog.dk

Yves Saint Laurent: The Scandal Collection, 1971 offers a behind-the-scenes look at the controversial “Libération" collection that scandalized the fashion press—but ended up setting trends that conquered popular fashion. Beautifully illustrated and documented with well-researched essays curated by Olivier Saillard and Dominique Veillon, this gorgeous volume is enriched with personal interviews and archival photographs of the show, the models, the designs, and the textile and print samples, as well as sketches and international press clippings. For those who admire Saint Laurent’s life and work, for historians looking back at key moments in fashion history, and for designers looking for inspiration, this book and the work it displays will be a resource that will be referred to again and again. Whether as a gift for the fashionable or to leaf through and display as a coffee table book, The Scandal Collection, 1971 will not disappoint. On January 21, 1971, couturier Yves Saint Laurent presented his spring-summer haute couture collection. Inspired by the garments of the war years, the collection included short dresses, platform shoes, square shoulders, and exaggerated makeup. The show caused an outrage among the public, the critics, and the press alike, earning it the title of “Paris’s ugliest collection.” Nevertheless, the haute couture designs of the runway made their way to the boulevards, giving full sway to the “retro” trend that quickly conquered the streets. Saint Laurent was one of France’s most prominent fashion designers. From his work at Dior to the time of his founding his eponymous YSL fashion label in 1962 to his death in 2008, his work was a force in an industry full of big names and successful houses. He developed his style to accommodate the changes in fashion during that period. He approached his aesthetic from a different perspective by helping women find confidence by looking both comfortable and elegant at the same time. “His inspiration was drawn from World War II and the Occupation, he showed couture looks that included square shoulders, knee-length skirts, platform heels and simple patterned dresses . . . What Saint Laurent was doing, of course, was blurring the line between couture and ready-to-wear.” — New York Times

DKK 240.00
1

Techbitch - Lucy Sykes - Bog - Penguin Books Ltd - Plusbog.dk

Techbitch - Lucy Sykes - Bog - Penguin Books Ltd - Plusbog.dk

Techbitch is the wickedly witty and acutely observed novel from Lucy Sykes and Jo Piazza about how to keep up in a tech-obsessed world. Imogen Tate, editor-in-chief of Glossy magazine, is a legend in the fashion world. But when she returns from a sabbatical to find her twenty-six-year-old former assistant, Eve Morton, behind her desk, she realises times are changing. Armed with a business degree, naked ambition and an iPhone, Eve announces she has been brought in to turn Imogen''s beloved magazine into an app. With herself at the helm. In this terrifying new world, Imogen is almost invisible. In place of her team of dedicated staff is a constantly evolving line of twenty-something bloggers at their desks day and night (''Only losers need sleep!''), amateur snaps instead of elegant photo shoots, and a URL address in place of Imogen''s glossy pages. But Imogen isn''t ready to give up her hard-earned career without a fight. Where Eve has Twitter followers, Imogen has experience, talent and real relationships, and she''s prepared to fight for the fashion world she knows and loves. Even if it means going to war with a ruthless Techbitch . . . Praise for Techbitch ''This Year''s The Devil Wears Prada '' Vanity Fair ''Lethally funny with sass to spare'' Daily Mail ''The Devil Wears Prada does digital'' Glamour ''Sassy, smart and fun ****'' Heat Magazine ''One our reading list right now is this Devil Wears Prada-esque magazine-set tale'' Cosmopolitan ''The Devil Wears Prada for the digital age'' Prima ''Hilariously witty, like a modern day The Devil Wears Prada'' Essentials '' Low cunning and high stakes at a glamorous Manhattan fashion magazine creates an irresistible mix in Techbitch... think The Devil Wears Prada for the digital age'' Good Housekeeping ''The theatre of war is cutting-edge online versus traditional magazines, a sort of ''The Devil Uses Instagram'' . . . a great read, packed with brilliant, glam detail and a satirical sideswipes at nerd culture'' Daily Mail While Imogen may know her DVF from YSL she knows nothing at all about Instagram, HTML and Tumblr . . . but she soon will. Fashion just got bitchy!'' This Summer''s Best Books in Sun on Sunday ''This describes the frantic process of taking a Vogue-like magazine from paper to app. . . When Imogen left, she was Queen. When she comes back, she''s lost her front-row Fashion week seat to a-What? What are these?-fashion bloggers! Naturally, Imogen regrows her claws. And the book does its share of meowing about the entitled young women who now flood the magazine offices, living large because they still live rent-free at their parents'' apartments'' The New York Times ''Jo Piazza and Lucy Sykes'' compulsively readable corner office drama, [is] summer''s juiciest beach read'' Elle.com

DKK 162.00
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