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New Office Information Technology - Richard J. Long - Bog - Taylor & Francis Inc - Plusbog.dk

Gentlemen and Scholars - - Bog - Taylor & Francis Inc - Plusbog.dk

Gentlemen and Scholars - - Bog - Taylor & Francis Inc - Plusbog.dk

Historians have dubbed the period from the Civil War to World War I "the age of the university," suggesting that colleges, in contrast to universities, were static institutions out of touch with American society. Bruce Leslie challenges this view by offering compelling evidence for the continued vitality of colleges, using case studies of four representative colleges from the Middle Atlantic region u Bucknell, Franklin and Marshall, Princeton, and Swarthmore. A new introduction to this classic reflects on his work in light of recent scholarship, especially that on southern universities, the American college in the international context, the experience of women, and liberal Protestantism''s impact on the research university. According to Leslie, nineteenth-century colleges were designed by their founders and supporters to be instruments of ethnic, denominational, and local identity. The four colleges Leslie examines in detail here were representative of these types, each serving a particular religious denomination or lifestyle. Over the course of this period, however, these colleges, like many others, were forced to look beyond traditional sources of financial support, toward wealthy alumni and urban benefactors. This development led to the gradual reorientation of these schools toward an emerging national urban Protestant culture. Colleges that responded to and exploited the new currents prospered. Those that continued to serve cultural distinctiveness and localism risked financial sacrifice. Leslie develops his argument from a close study of faculties, curricula, financial constituencies, student bodies, and campus life. The book will be valuable to those interested in American history, higher education, as well as the particular institutions studied. "This book continues the story started by Veysey''s Emergence of the American University . Its innovative approach should encourage scholars to study colleges and universities as parts of local communities rather than as freestanding entities. Leslie''s findings will substantially revise currently accepted accounts of the history of education in the late nineteenth century."--Louise L. Stevenson, Franklin and Marshall College

DKK 115.00
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You Don't Say - Benjamin Demott - Bog - Taylor & Francis Inc - Plusbog.dk

You Don't Say - Benjamin Demott - Bog - Taylor & Francis Inc - Plusbog.dk

In this era of political correctness, it is often impossible to say things as one would like. Indeed, certain ways of feeling and talking that were once acceptable are now, in effect, forbidden. Of course, taboos extend further than speech. Social and sexual inhibitions are also evident. Benjamin DeMott argues that the very least a society should do is to try to understand the meaning of its own inhibitions. As he writes in this new edition of You Don''t Say , "a supple awareness of the effective censorship of the day can toughen resistance to clich and stereotype, and is absolutely indispensable to the survival of sharp minds." At the center of You Don''t Say is the proposition that the present age of personal liberation has created as many inhibitions as it has abolished. Some of our new-found freedoms could be employed with a sharper sense of tact. And some freedoms we have lost are worth remembering-or even recovering. In the essays that comprise You Don''t Say DeMott reflects on the use of language, how modern man has claimed to be free of repression though the opposite is true, and how people who object to certain types of language and prefer verbal ambiguity do so possibly to assert their moral dignity and intelligence. The book is full of sharp observations, witty commentary, and empathetic description of the contemporary social and cultural scene. In an essay entitled "The Anatomy of Playboy ," DeMott correlates the magazine''s popularity with its reductionist tendencies: the world becomes reduced to the realities of sexual need and deprivation. In "The Passionate Mutes," the author reflects on the changing language of the greeting card throughout the years. "Dirty Words?" is a meditation on language itself, and on how mastery of the word was at one time a key to power. And in "Oyiemu-O?" DeMott considers the writing of "native" African and Indian authors in an age during which the colonialist viewpoint was considered authoritative. The author''s new introduction discusses the essays in their historical context and how they are relevant to the present day, and describes how the book came into being. "[A] book distinguished by its beauty as by its wisdom for-although we may feel the pressure of inhibition against admitting it-intellectual courage can be as beautiful as bodies swayed to music. The intelligence of hope can be as passionate as sexual hunger."- New York Times Book Review Benjamin DeMott is an essayist, novelist, and journalist. He was professor of English at Amherst College, and a consultant and writer for National Education Television. He is the author of The Body''s Cage, Hells & Benefits , a collection of essays, and Killer Woman Blues: Why Americans Can''t Think Straight About Gender and Power .

DKK 142.00
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