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Spirituals For Fingerstyle Guitar : Taught by Cory Seznec

Advanced Techniques Fingerpicking Guitar : Level 3

Fred Sokolow: Open Tunings For Beginners (DVD)

Novelty Instrumentals Of Rev. Gary Davis

Rick Udler: The Brazilian Sound for Fingerstyle Guitar

Rick Udler: The Brazilian Sound for Fingerstyle Guitar

Brazil has produced some of the most vibrant and exciting guitar music in the instrument's history. In this lesson, Rick Udler discusses and demonstrates styles, techniques, and rhythms of Brazil's great players. This is a unique opportunity for guitarists to delve into the beautiful sounds of this musical land. Rick begins by going over chords that are commonly used by Brazilian guitarists. He then teaches the accompaniment to singer/songwriter Gilberto Gil's beautiful composition, "A Paz", to illustrate the use of chords with open strings. A step-by-step analysis of Bossa Nova accompaniment in the João Gilberto style follows along with suggestions on how to develop a better feel for this sophisticated, syncopated groove. The solo guitar rendition of the Antonio Carlos Jobim/Newton Mendonça classic "One Note Samba" will be a welcome addition to many players repertoires with it's rhythmic drive and rich harmony. Samba rhythms are then explored with examples that are sure to enhance one's groove and arsenal of techniques. Rick also gives examples of inner string movement which will prove invaluable to those looking for ways to generate more excitement and authenticity in their comping. A sambified version of "Happy Birthday" demonstrates how to apply these techniques to a familiar tune and make it sound fresh.And, to provide an even greater challenge for all players, Rick gives a detailed analysis of his tour de force solo guitar piece "Amigo Paulo", composed as an homage to his friend, guitar legend Paulinho Nogueira (1927-2003). This tune with it's choro influences incorporates many of the techniques Rick learned directly from the master and is sure to provide much musical food for thought for players who are looking for innovative new colours and textures to add to their playing.

DKK 236.00
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Davey Graham: The Complete Guitarist

Davey Graham: The Complete Guitarist

Davey Graham is a perfectionist. Since 1961, when he recorded the quite remarkable - and largely unnoticed - 3/4 AD with Alexis Koerner, he has restricted his record output, and almost everything he has recorded has been of a high standard. So when he agrees that this is one of the finest records he has made, it really has to be one of the finest Guitar records of recent years.Throughout his career he has mixed these high personal standards with an inventive, daring approach to music. Because he plays acoustic Guitar he may have been labelled as a 'folkie', but nothing could be further from the truth. He knows a great deal about folk music - and the folk music of North Africa and India as well as Britain and America - but he also has a strong interest in medieval music, later classical music, jazz and the blues.The sixteen tunes on this album were all chosen because they were instrumentals Davey likes and enjoys playing, rather than to demonstrate particular Guitar styles but of course the results work on both levels.This album is both an intriguing musical selection and a tribute to his remarkable technique. He has included hymn tunes, a selection of Irish melodies that are a great personal favourite of his. "They are mostly pipe and fiddle tunes and I've been working on them for some time. I take a great interest in the Irish scene and I'm learning the language". Alongside these there are the classical and medieval pieces ranging from Vaughan Williams' Down Ampney to the Prelude From The Suite In D Minor by Robert De Visee ("a Frenchman who matched Dowland").Also included is a PDF TAB/music booklet featuring these songs from the recording: Medley: Lord Mayo/Lord Inchiquin; Lashtal's Room; Renaissance Piece; Hardiman The Fiddler; Fairies' Hornpipe; Forty-Ton Parachute. You will need Adobe Acrobat (a free download) to open and print this file from your computer.

DKK 120.00
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Yasha Aginsky: Four American Roots Music Films

Yasha Aginsky: Four American Roots Music Films

Homemade American Music In visits with their friends and mentors, Mike Seeger and Alice Gerrard trace the origins of rural American music from traditional folk cultures in the southern United States and then demonstrate how traditional music is learned, played, adapted and performed by younger musicians from urban backgrounds. In addition to Mike and Alice, musicians include Tommy Jarrell, Roscoe Holcomb, Lily May Ledford, Elizabeth Cotten, Dewey Balfa, Marc Savoy, Tracy Schwarz, Hank Bradley, Jody Stecher, Irene Herrmann, Stefan Senders, Will Spires, Eric Thompson and Susie Rothfield. (1980, 42 minutes) Sonny Terry, Shoutin' the BluesIn a motel room in Oakland, California, blind blues harmonica great Sonny Terry tells a story about his start in show business and then plays an original solo in his own amazing style, created in over 50 years of playing. (1969, 6 minutes) Les Blues de BalfaThrough their festival appearances, concerts and recordings, the Balfa Brothers became the most renowned Cajun musicians and the first group to take their traditional music outside of southwest Louisiana. Tragically, just after this film was undertaken in 1979, brothers Rodney and Will were killed in a car crash. The surviving member of the group, Dewey Balfa, tells the history of his musical family and demonstrates the role of their musical tradition in his life, as he continues to spread Cajun music and culture in schools, music festivals and by playing with other musicians in local dance halls and clubs. In addition to the Balfa Brothers, musicians include Allie Young, Nathan Abshire, Tony Balfa, Rockin' Dopsie, Raymond François and the Cajun Playboys and Tracy Schwarz. (1983, 27 minutes) Cajun Visits Filmed at homes in rural southwest Louisiana, this film presents six masters of traditional Cajun music: Denis McGee, Wallace 'Cheese' Read, Canray Fontenot, Leopold François, Robert Jardell and Dewey Balfa, singing and playing traditional songs and tunes and talking about their music, their lives, their work and their environment. Representing a diversity of ethnic origins, ages and social classes, they all continue to speak in the French language as well as English. (1983, 29 minutes)

DKK 209.00
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Masters Of The Ragtime Guitar

Masters Of The Ragtime Guitar

Ragtime guitar is one of the most exciting and complex styles for a guitarist to master. The techniques involved can become very complicated and for a novice these can sometimes interfere with the spirit of the music. But in the hands of a talented and experienced guitarist this music can capture a unique texture as well as being one of the most rhythmic and attractive musical forms known. This album presents four of the leading exponents of ragtime guitar. Their approach to ragtime differs, yet each one manages to capture that all important element called "feel."Duck Baker's playing on his nylon strung flamenco guitar has excited audiences throughout Europe, Japan and America. He brings an energetic spirit to each tune that he plays. His right hand technique coupled with the use of a flamenco guitar creates a strong and rhythmic sound.Tim Nicolai also uses a nylon strung guitar though his technique is more classical oriented. His rendition of Solace - A Mexican Serenade demonstrates clearly how well classic rags can be adapted to a classical guitar approach. The shades and tones of Tim's arrangements show a gentleness and true understanding for the music.Likewise the Dutch Wizard, Ton Van Bergeyk brings his own touch and humor to two original ragtime oriented instrumentals. Ton's command of the steel string guitar is very impressive. His arrangements combine many elements and clearly show his love for the music of Scott Joplin to Glenn Miller! Ton has recorded several solo albums on as well as being heavily featured on the album I Got Rhythm (SGGW133).Lasse Johansson adds another approach to ragtime guitar with his four solos. His version of Creole Belles is very interesting and demonstrates how successfully a brass band arrangement can be adapted to the guitar. It is also interesting to hear this composition as one of the sections has become very popular through the playing and recordings of Mississippi John Hurt.Lasse's duets with Claes Palmqvist are fine examples of the art of duet guitar arrangements.Together they have created delicate and yet spirited version of two well known rags. Both arrangements are highly successful and each adds a different dimension to their collaborations.This collection is an exciting tour de force in ragtime guitar. Duck, Ton, Tim, Claes and Lasse are truly masters of this style. And as usual the guitar players who are eager to try to pick up these tunes will have a happy time with the PDF tab/music booklet that has been prepared to go along with this project and can be found on the CD. This booklet presents many of the tunes played.

DKK 120.00
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