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Grimms Fairy Tales - The Brothers Grimm

Grimms illustrerede eventyr - Ruth Brocklehurst

Transgressive Tales - - Bog - Wayne State University Press - Plusbog.dk

Transgressive Tales - - Bog - Wayne State University Press - Plusbog.dk

The stories in the Grimm brothers’ Kinder- und Hausmärchen (Children’s and Household Tales), first published in 1812 and 1815, have come to define academic and popular understandings of the fairy tale genre. Yet over a period of forty years, the brothers, especially Wilhelm, revised, edited, sanitised, and bowdlerised the tales, publishing the seventh and final edition in 1857 with many of the sexual implications removed. However, the contributors in Transgressive Tales: Queering the Grimms demonstrate that the Grimms and other collectors paid less attention to ridding the tales of non-heterosexual implications and that, in fact, the Grimms’ tales are rich with queer possibilities. Editors Kay Turner and Pauline Greenhill introduce the volume with an overview of the tales’ literary and interpretive history, surveying their queerness in terms of not just sex, gender and sexuality, but also issues of marginalisation, oddity, and not fitting into society. In three thematic sections, contributors then consider a range of tales and their queer themes. In Faux Femininities, essays explore female characters, and their relationships and feminine representation in the tales. Contributors to Revising Rewritings consider queer elements in rewritings of the Grimms’ tales, including Angela Carter’s The Bloody Chamber, Jeanette Winterson’s Twelve Dancing Princesses, and contemporary reinterpretations of both “Snow White” and “Snow White and Rose Red.” Contributors in the final section, Queering the Tales, consider queer elements in some of the Grimms’ original tales and explore intriguing issues of gender, biology, patriarchy, and transgression. With the variety of unique perspectives in Transgressive Tales, readers will find new appreciation for the lasting power of the fairy-tale genre. Scholars of fairy-tale studies and gender and sexuality studies will enjoy this thought-provoking volume. Contributors: Emilie Anderson-Grégoire, Cristina Bacchilega, Anita Best, Joy Brooke Fairfield, Andrew J. Friedenthal, Kevin Goldstein, Pauline Greenhill, Bettina Hutschek, Jeana Jorgensen, Kimberly J. Lau, Elliot Gordon Mercer, Margaret A. Mills, Jennifer Orme, Catherine Tosenberger, Kay Turner, Margaret R. Yocom

DKK 416.00
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Grimm's Fairy Tales (Royal Collector's Edition) (Case Laminate Hardcover with Jacket) - Jacob & Wilhelm Grimm - Bog - Engage Books - Plusbog.dk

The Enchanted Boot - Nancy L. Canepa - Bog - Wayne State University Press - Plusbog.dk

Eventyrbogen (inkl. kassette) - Peter Madsen - Bog - Forlaget Alvilda - Plusbog.dk

BRUGT BOG - Pigen på billedet - Heidi Amsinck - Bog - Gutkind - Plusbog.dk

Craving Supernatural Creatures - Claudia Schwabe - Bog - Wayne State University Press - Plusbog.dk

Craving Supernatural Creatures - Claudia Schwabe - Bog - Wayne State University Press - Plusbog.dk

Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture analyzes supernatural creatures in order to demonstrate how German fairy tales treat difference, alterity, and Otherness with terror, distance, and negativity, whereas contemporary North American popular culture adaptations navigate diversity by humanizing and redeeming such figures. This trend of transformation reflects a greater tolerance of other marginalized groups (in regard to race, ethnicity, ability, age, gender, sexual orientation, social class, religion, etc.) and acceptance of diversity in society today. The fairy-tale adaptations examined here are more than just twists on old stories-they serve as the looking glasses of significant cultural trends, customs, and social challenges. Whereas the fairy-tale adaptations that Claudia Schwabe analyzes suggest that Otherness can and should be fully embraced, they also highlight the gap that still exists between the representation and the reality of embracing diversity wholeheartedly in twenty-first-century America. The book's four chapters are structured around different supernatural creatures, beginning in chapter 1 with Schwabe's examination of the automaton, the golem, and the doppelganger, which emerged as popular figures in Germany in the early nineteenth century, and how media, such as Edward Scissorhands and Sleepy Hollow , dramatize, humanize, and infantilize these "uncanny" characters in multifaceted ways. Chapter 2 foregrounds the popular figures of the evil queen and witch in contemporary retellings of the Grimms' fairy tale "Snow White." Chapter 3 deconstructs the concept of the monstrous Other in fairy tales by scrutinizing the figure of the Big Bad Wolf in popular culture, including Once Upon a Time and the Fables comic book series. In chapter 4, Schwabe explores the fairy-tale dwarf, claiming that adaptations today emphasize the diversity of dwarves' personalities and celebrate the potency of their physicality. Craving Supernatural Creatures is a unique contribution to the field of fairy-tale studies and is essential reading for students, scholars, and pop-culture aficionados alike.

DKK 377.00
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