Cérémonie de ch?urs de Noël op. 28 : A Ceremony of Carols

Oplev Britten's elskede julesangklassiker nu tilgængelig på fransk for allerførste gang! Denne udgave præsenterer en grundig oversættelse af de fleste værker af Maurice Budry, godkendt af Britten selv, og der blev sendt en opførelse på Radio Romande juledag i 1964. De tre manglende bevægelser er nu oversat af Agnès Ausseur og Jalal Zaïm specielt til denne udgave. Inkluderer et fonetisk ordforråd (med moderne engelske ækvivalenter) til hjælp for fransktalende, der ønsker at optræde på originalsproget. Med forord af Philip Reed (på fransk og engelsk), tidligere fra Britten–Pears Biblioteket, Aldeburgh.

Son De Camaguey : Cuban Folk Song

Son de Camaguey is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general.

Son De Camaguey : Cuban Folk Song

Son de Camaguey is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general.

Ballade with Christine de Pisan

This is a highly emotional and powerful piece for women's choir. Composer Boerger asks the chorus to produce the sound of bereavement when it first strikes. A total commitment to the emotions as masterfully created by the poet and the composer will result in a tour de force for the mature women's choir.

The Road to Bethlehem : from La Chanson de la Naissance

This Christmas carol, originally in French and entitled ‘La Chanson de la Naissance’, first appeared in a comedy theatre show called Famille d’Artistes in 1989. Piazzolla is best known for his development of Tango Nuevo through his many works that cross the boundaries between tango, jazz and classical music. This arrangement, which is true to his original tune and harmonic scheme, shows many of these traits and uses a new English text. The simple, catchy tune and chorus is passed around all sections of the choir – including an unaccompanied section – building to the choral tutti in the last verse.

Maguey de tlalcoyote

Maguey de tlalcoyote

Le Tombeau de Georges Rouault

In the tradition of music written in homage to a dead artist, this work was composed for Thomas Trotter in commemoration of the French painter Georges Rouault (1871-1958). A leading figure in the artistic and intellectual revival of French Catholic life in the first half of the twentieth century, Rouault's work was dark, subtle and moving in its observation of the frailty of human life. He painted judges, clowns, prostitutes, the poor and Christ. The archetypes and characters captured in his work were the subliminal inspiration behind much of the material in the music. This dazzling recital piece is cast in a single span comprising several contrasted sections, and it callsupon the full range of technical, expressive and registrational capabilities of both instrument and player. The premiere was given by Thomas Trotter on the Klais instrument in Symphony Hall, Birmingham in March 2004, followed by performances at London's Royal Albert Hall, Cologne's Philharmonie and Leipzig's Gewandhaus.

De Colores : Spanish Folk Song

Agneau de Dieu : Lamb of God

La Fleur De Cayenne : Venezuelan Joropo

Scenes de Ballet : Hawkes Pocket Scores HPS 938

Rachmaninoff: The Authentic Collection : Selected Highlights from the Solo Piano Works

Highlights from the Authentic Editions of Rachmaninoff’s finest piano works including selections from “Preludes“, “Etudes-tableaux“, “Moments Musicaux“, “Morceaux de Fantaisie“ & “Morceaux de Salon“.

Piedad De Mí, Señor : No. 3 from Symphony of Psalms

Symphony of Psalms : No.6 Seigneur tu sais tout de moi

Seigneur, Tu Sais Tout De Moi : No. 6 from Symphony of Psalms

Two Poems by K. Balmont : Zusammen mit Trois poésies de la lyrique japonaise

Ballet Music

Contents: Pulcinella Suite (revised 1949 version) · Apollon Musagète (revised 1947 version) · Le Baiser de la Fée (revised 1950 version).

Hymnen an die Nacht

The present piece is part of a series of seven compositions written in 1975 for Tremplin International of the Concours de Musique du Canada.

Lúa Descolorida

Based on a poem by García Lorca's beloved Rosalía de Castro, Lúa Descolorida was inspired by Dawn Upshaw's “rainbow of a voice.” Now available in two different versions.

Violoncelle et Piano Vol. 3 : Le Course En Traîneau - Introduction et Valse Mélancolique - Fêverie Au Bord De Mer

Velo qué bonito : Traditional Colombian Folk

Velo qué bonito is a traditional Colombian song also known as Bunde de San Antonio, patron saint of the Colombian black communities. It is sung a cappella, accompanied only by a “tambora”, the typical Afro-Indo-American drum.

Va Pensiero : from Nabucco

This chorus from the third act of Nabucco became synonymous with Italy's 19th century struggle to cast off foreign occupation and become a united nation. Even today the tune remains extremely popular and is a de facto national anthem for Italy.

Psalm 42 : English Folk Song

This graceful arrangement of the traditional four-part English chorale is perfect for teaching clear tone concepts to your band. The work is scored for beginning band or beginning string orchestra, allowing for the combination of the two ensembles for a tour-de-force year-end concert.

Piano Concerto No. 3 HPS 1801

Commissioned by China National Centre for The Performing Arts, San Francisco Symphony, Toronto Symphony Orchestra, Philharmonie de Paris – Orchestre de Paris, NDR Elbphilharmonie Orchester, and the New York Philharmonic, this work was composed in 2022 and first performed that year at Davies Symphony Hall, San Francisco, CA, by Yuja Wang (piano) and the San Francisco Symphony, conducted by Esa-Pekka Salonen. The Wall Street Journal commented, “Mr Lindberg’s work, in three distinct movements, teases music lovers with homages to Ravel and Debussy, Prokofiev and Rachmaninoff, Liszt and, in the finale, Gershwin. But in doing so, the composer achieves that rarest of admixtures, a work that recalls the greatness of others while creating a sound world entirely his own.”