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Concerto in F major HWV 331

Concerto in F major HWV 331

Handel’s Concerto in F major (HWV 331) was long considered a variant of two movements from the three suites of his “Water Music” (HWV 348-350). Recently our understanding of the “Water Music” had to be thoroughly revised owing tonew scholarly discoveries. Not only did the structure of the three suites prove to be unhistorical, but Friedrich Chrysander’s 19th-century view turned out to be correct: the two “variants” actually constitute an independentconcerto.In musical terms, HWV 331 is related to two movements of the “Water Music” and is frequently performed alongside them. Now it is available for the first time in a performing edition based on the already revised volumeof the “Halle Handel Edition”, which reflects the current state of scholarship concerning the complex source tradition of the “Water Music” and the Concerto HWV 331.

DKK 203.00
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Mass in G minor BWV 235 Lutheran Mass 3

Mass in G minor BWV 235 Lutheran Mass 3

Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo, Tenor solo, Bass solo, mixed choir (SATB) and orchestraOften overshadowed by the more famous Mass in B minor, the four Lutheran Masses feature glorious chorusesand sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts. Urtext of the New Bach EditionFull score, performance material and vocal score for all 4 Masses(BA5182-BA5185) available for sale

DKK 142.00
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Mass in G major BWV 236 Lutheran Mass 4

Mass in G major BWV 236 Lutheran Mass 4

Mass G major BWV 236 'Lutheran Mass 4'Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Oboe (2), Strings, Basso continuo.Often overshadowed by the more famous Mass in B minor,the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition.- Fullscore, performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale.

DKK 130.00
1

Jeux d'eau for Piano

Jeux d'eau for Piano

It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword,atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud.

DKK 138.00
1